This set of prints, entitled “Critical Collages,” are composed from a random collection of printed ephemera, digitally retouched and enlarged. The images, as much the result of chance as of deliberation, hint at oblique commentaries on culture and society. Originally ATCs, they are available as 6″ x 4″ or 10″ x 8″ prints.
Salon Shop exhibition: The Transience of Value by Lena Tan.
Opening reception: Friday, April 24th, 7.00 – 10.00 pm
Exhibition runs: April 24th – May 31st, 2015
Lena Tan carries forward forgotten traditions into a contemporary society that leaves a trail of increasingly obvious destruction behind it. Hand-worked lace, based on the pattern work of Irish women crocheting for survival through the Great Famine of the mid-19th century, meld with the flotsam of the daily commuter. Repurposed bus tickets & crochet become micro meditations on transit and transformation. Permanence fused on to transience. Can the invalidated be made valid again through art?
Reuters headline yesterday: “Minimum wage fight hits the streets of nearly 200 U.S. cities”
Aug. 17, 1998
I went to work for a day and they paid me $70 an hour for six hours. At $7 an hour that’s 60 hours, or 42 hours at $10 an hour, more than a week’s work, standing on your feet all day, lifting heavy bolts of fabric, opening drawers of dress patterns, bending and heaving, cutting and turning, until you hurt your back, your wrists, your legs. Arthritis, rheumatism, varicose veins, carpal tunnel, you’ve got it all. $10 an hour – that’s a lot of money. That’s a good job. They made you manager of the store.
“What about you? What do you do?”
“Oh, I – I teach. I work on my own. Not all the time. Just when they call me.” I mumble and avoid their eyes.
They look at me, not sure whether to feel sorry or envious. “It’s good to work for yourself. Set your own hours. No one to be your boss.”
“Ahh… well, I have to work when they call. It’s hard not to know when I have to work. A steady job is good.”
They feel sorry for me now. “Yes, a steady job is good. Bring in some money. Pay the bills. It’s not easy, getting a good job.”
July 15, 1998
A pigeon, bald, smooth and shiny. Stick legs, walking on the paving stones at the side of the house, hurrying along ahead of me, stopping, then hurrying as I come up with my bucket, garden gloves and shovel. It stops when I stop to dig and pull. It moves away when I approach. Looks at me, walks into the plants, trying to keep its distance, a little hop and flutter, pit pit pitta. It reaches the front yard, doubles around and hurries to the back, sidelong glances at me digging and pulling. I go back with the bucket. It looks at me, head bobbing, skip, hop and flutter. It seems to like being on the paving beside the house, but it has to keep moving as I go back and forth with bucket, shovel, clippers and trowel.
Later, I hear voices outside the house. Two kids are looking under a parked car as other cars pass by. The pigeon pit-pats into the road, and the kids chase it back. They’re trying to catch it so it won’t get run over. But it’s under the car and the kids go away.
The next day I’m coming home from the gym and there’s a small smear with feathers on the road.
The red of the chrysanthemums on my desk is as red as… as red as… as the red of the chrysanthemums. The ones before had some orange in the red. These have some blue in the red. I can’t stop looking at them. Looking at them, I can only feel the joy of redness.
July 16, 1993
He’s 53, he says, “going on 39… well, that’s what they all say.” He sighs a lot, like he’s out of breath, and makes wet sounds. “I look as good in jeans as I do in a suit… that’s another thing they say.”
What’s 2 billion times 0? Must be more than nothing?